Colony Theatre Callback

Auditioned for the Colony Theatre in Burbank for TRAVELS WITH MY AUNT, adapted from the novel by Graham Greene.  The Colony is another place I’ve wanted to audition at for a long while. My college friend Heather Lee has performed there, and they get some of the best stage actors in L.A. to perform for them. Nothing like an Equity contract. They wanted a British (Standard British Southern) dialect, and actors who could play multiple parts, so I got out my David Stern ACTING WITH AN ACCENT for British and reviewed it all week. Doing dialect driven roles occasionally, I high recommend the Stern…gives you a good quick start on a dialect.

I did a short monologue from EVERY BATTLE, EVERY WAR by Arthur Jolly, which I found online. Very funny piece. He’s got a great way to catch traffic, he offers monologues from his works for free, and you’ve got to pay if you want the full play. Clever idea.    www.arthurjolly.com

When I auditioned for Patricia Cullen & Barbara Beckley, I was treated with respect, and not a peep of laughter!? Silence?! Maybe because it was early, I was the first one to audition…maybe I wasn’t funny…I felt I was funny… arghh, oh well, at least I tried. The casting director said “great British dialect” and I went on my merry way. I didn’t realize at the time she is British, and instead of it being a polite brush off compliment she meant it. I have a callback this coming Wednesday. Been working several hours day on the dialect and lines for the audition, and more this weekend.

Two years ago I did a British dialect for the Rogue Artists Ensemble adaption of Neil Gaiman and Dave McKean’s THE TRAGICAL COMEDY OF MR. PUNCH, and after one performance a Brit asked me what part of England I was from as he couldn’t quite place it…er, Columbus, Ohio…

In doing research for the callback, I discovered that the very different writers Douglas Adams and Karl Marx are in the same cemetery in the Highgate section of London. Somehow that seemed appropriate for Doug Adams, not so much for Marx.

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A Noise Within Audition

Had an audition for the theatre company called A NOISE WITHIN for their production of TWELFTH NIGHT for the role of Feste.  They are currently based in Glendale, CA, and shortly moving to a new space in Pasadena. The building they are now housed in reminded me a bit of the Public Theatre of the New York Shakespeare Festival I worked at eons ago. Old industrial building, peeling paint, cracked floors, elevator that looks like Roman slaves run on a treadmill to get it to go up and down. To add to the look, everybody is packing up and getting ready to move after 20 years in their Glendale location.

I prepped hard for the audition, harder than usual. I played Feste in TWELTH NIGHT well directed by Jeff Soroka last year at a theatre company I belong to, Theatre Unleashed. That was the second time I have played the role and my fourth time acting in TWELFTH NIGHT. Relearned the lines for the audition so I was comfortably off book, juggled everyday so I could do the first speech freely and still juggle, played classical guitar and sang the 3 main songs Feste sings daily. Well, I play guitar for an hour everyday anyway so not much change there. I have always wanted to work for this company, and this was the first opportunity for the timing to work out, first impression time – didn’t want to suck.

I could not have been treated better, the co-founders and artistic directors Geoff Elliott and Julia Rodriguez-Elliott were there running the audition instead of “underlings.” I got laughs and compliments, etc. Went as well as my Laguna Playhouse audition last week where the casting director, Wally Ziegler, was thumbing through the script seeing if there was a part for me in Rita Rudner’s new play TICKLED PINK. The Laguna Playhouse artistic director, Ann E. Wareham, was smiling after that audition. Not sure if it was from relief that I was done or perhaps a piece of casting the play puzzle solved.

The setting for TWELFTH NIGHT is pre-revolutionary Cuba, which might be a HUGE drawback to my being cast, as I look like an uber-honky British Imperialist…and I didn’t get to play guitar and sing for them…maybe an ex-patriot from somewhere? Who knows??

So, that’s it for that audition. Ordered some Cuban tango pieces for the guitar just in case they ask for a Cuban song if I get a callback. Oddly, I had a commercial audition for Nikon this week where I had to play a tango on the accordion. Of course, I don’t know any…also ordered an easy tango book for the accordion.

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Laguna Playhouse Audition

Open Equity call at Laguna Playhouse in Laguna Beach, a mere 2 hour drive from my home. Great theatre right next to where the Pagent of Masters is held. The Sawdust art festival is right down the road too. Pagent and Sawdust festival go until end of August.

Had a good audition, did a piece from the FANTASTICKS and that had the artistic director, Ann E. Wareham smiling: it’s a short cute piece. I followed with a drunken Bukowski rant poem. That one had them looking at me like I was partially deranged…okay, accurate, that poem is. The casting director, Wally Ziegler, gave me a nice compliment and I went on my merry way…and then spent several hours wandering around downtown Laguna Beach. Pricey doesn’t cover it, expensive does, lots of art selling for $25,000 and up. Found a gallery dedicated to Vladimir Kush, he’s amazing. Visionary, good craftsman, surreal  designs, flawless…expensive. Lots of people walking who probably could buy you with the cash they have on hand.

Parking is demented in Laguna Beach, but not as bad as Huntington Beach or some other beach towns.

If I get cast I’ll have to sleep on the beach, haven’t had to do that since college to do a play.

Hi diddley squat, and actor’s life so what, you work all day to earn some pay then go to the play and forget what to say. Hi diddley squat, an actor’s life so what…got a quarter for parking??

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Typical Actor Week

Tuesday I was in the new Steve Carrel film SEEKING A FRIEND AT THE END OF THE EARTH. I played a guy taking his goldfish for a walk as an asteroid is heading towards the earth to destroy.

Wednesday I was in Tim and Eric’s Awesome Adventure’s PROFESSOR GINKY short. It was sort of cross between TEXAS CHAIN SAW MASSACRE and Fellini’s SATYRICON. I played a kidnapped game contestant who had to eat his own arm off to escape. Needless to say it didn’t turn out well for the character, and we used over a gallon of fake blood. Long wonderful looney day, got home late.

Just before lunch on a shoot of a mad humorous horror short

Thursday got up early to be on a new Disney pilot called JESSICA, about a nanny in N.Y.C. I was playing a Science Fair judge. Hard to adjust from the insanity of the day before to a Disney show. Got out to my car after the shoot and saw the side was  covered in blood from getting in the car the night before. It was so dark when I got home the night before and so early when I left I hadn’t noticed. Hilarious, glad I wasn’t pulled over by the L.A.P.D. for red kayro syrup.

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Interesting last day for BREAKING IN

Just finished working 6 weeks as office background in BREAKING IN. Odd to say but it was a great set, good cast, great crew…next to none of treating the background like 3 class citizens. Christian Slater was great to work around, and in the last episode even with.

Mike Tyson came in our last day as a guest star. That was WEIRD. Like Paul Bunyan suddenly walking in for real. Obviously, he’s a real man, but he’s lead such a mythical life he doesn’t seem real…but he is, face tattoo and all. To top things off he’s now a vegan raising pigeons!

Hope the show gets picked up and I’m included for the fall run.

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Good Start for Year

Late last year and January were good acting wise. Shot episodes of JON BENJAMIN HAS A VAN, LAW & ORDER LOS ANGELES, and THE GREATEST MUPPET MOVE EVER MADE. Also made 4 U.S.C. films, and one student film for the New York School of Film, which is in Burbank, and all the students were French…which makes wonderful Hollywood sense.

My wife of soon to be 31 years got two of her books picked up to be published, and one should come out in March or April, DEMON FIRE.

Finally going to Big Sur for a short week the beginning of March while Christine is at a writer’s retreat. She’s in a nice hotel, I’m in a tent at Pfieffer’s Big Sur reading the Russians and playing guitar. I actually feel I win.

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